Movie Review WELCOME BACK Is Old School Slapstick Entertainer Only For Masses
| ||
Friday, 4th September 11:40 AM IST
WELCOME BACK Is Old School Slapstick Entertainer Only For Masses
Pluses: Some hilarious one liners, few really comic situations, Anil and Nana walak away with all applause Minuses:
pathetic songs, badly shot, very bad editing, clueless direction, John and all other actors are misfit including Naseerudin and Shruti Haasan
Critic Rating: 2/5
Business Rating: 3/5
Verdict:
Watch it for few really hilarious comic situations
Detailed Analysis: Anees Bazmee has given some really big hit films in last 20 years or so i.e. 'No Entry', 'Welcome', 'Pyar To Hona Hi Tha'. Now he has back with 'Welcome' sequel which is again a slapstick comedy and its releasing after some big time financial drama behind the curtains.
Rishi Kapoor plays a Mr Bhalla, who runs a bakery in a hill station called Kasol. He is never seen to be baking anything. All he does is to yell and shout at his wife, and sonny boy Inder (played by Supriya Pathak and Abhishek Bachchan, respectively). Why? That’s a mystery. Ms Pathak is to be found in an ‘ashram’, looking vacantly about. Abhishek switches locations from a Bangkok poolside with bikinied babes to the winding roads of Kasol, where he encounters college-mate Nimmi (Asin, colourless) who has feelings for him. Why anyone would have a tender spot for someone as indifferent as Inder is an even bigger mystery. Up pops a long-haired goon called Cheema who’s only job is to twirl a gun, and threaten people. Why the talented Mohammed Zeeshan Ayyub took on this thankless part is a … yes, you got that. It’s a puzzle. Plot? Non-existent. The jokes? Screamingly unfunny. Rishi Kapoor doing ‘su-su’, singing ‘aiyi-aiyi-aiyi’? Groan. When will grown men wanting to urinate stop becoming an acceptable gag in Bollywood? Can someone solve this? It’s always good to see Supriya Pathak, but when will someone come up with a substantial part for her? - See more at: http://indianexpress.com/article/entertainment/movie-review/all-is-well-movie-review-abhishek-bachchan-asin/#sthash.7CQEWPe9.dpufRishi Kapoor plays a Mr Bhalla, who runs a bakery in a hill station called Kasol. He is never seen to be baking anything. All he does is to yell and shout at his wife, and sonny boy Inder (played by Supriya Pathak and Abhishek Bachchan, respectively). Why? That’s a mystery. Ms Pathak is to be found in an ‘ashram’, looking vacantly about. Abhishek switches locations from a Bangkok poolside with bikinied babes to the winding roads of Kasol, where he encounters college-mate Nimmi (Asin, colourless) who has feelings for him. Why anyone would have a tender spot for someone as indifferent as Inder is an even bigger mystery. Up pops a long-haired goon called Cheema who’s only job is to twirl a gun, and threaten people. Why the talented Mohammed Zeeshan Ayyub took on this thankless part is a … yes, you got that. It’s a puzzle. Plot? Non-existent. The jokes? Screamingly unfunny. Rishi Kapoor doing ‘su-su’, singing ‘aiyi-aiyi-aiyi’? Groan. When will grown men wanting to urinate stop becoming an acceptable gag in Bollywood? Can someone solve this? It’s always good to see Supriya Pathak, but when will someone come up with a substantial part for her? - See more at: http://indianexpress.com/article/entertainment/movie-review/all-is-well-movie-review-abhishek-bachchan-asin/#sthash.7CQEWPe9.dpufFilm starts off with the picturesque Dubai and the grand entry of the 'now-transformed-but-still-unmarried' Uday Shetty (Nana Patekar) and Majnu Pandey (Anil Kapoor). Just as these dons start enjoying their reformed 'clean' lives as respectable members of society, there enters Babita aka Rajkumari Chandni (Ankita Shrivastava) and her gorgeous mother Poonam aka Maharani (Dimple Kapadia). Even though they claim to be the princess and Maharani of Najafgadh, the actual fact remains that they are thugs of the highest order whose main motive is to con the rich men and siphon off their money. Unaware of their background, Uday and Majnu fall in love with the Rajkumari, so much so that there comes a situation when their best friendship is at stake. Just when Uday and Majnu initiate their matrimonial meet with Rajkumari and Maharani, there enters Uday's 'poor' father (Nana Patekar in a double role), who 'thrusts' the responsibility of his daughter Ranjhana's (Shruti Haasan) marriage to Uday and Majnu. Seizing this opportunity, Maharani lays a condition that her 'princess' daughter's wedding with either Majnu or Uday will happen only after Ranjhana's wedding. In the meantime, due to certain circumstances and situational misunderstandings, Ranjhana falls in love with Ajju bhai (John Abraham) who is a Mumbai based goon and also Dr. Ghungroo (Paresh Rawal)'s step son from Mrs. Ghungroo (Supriya Karnik). In order to create a good impression before Uday and Majnu, Ajju 'disguises' himself as a decent, sober, well-mannered guy when he comes to Dubai. But when Uday and Majnu discover Ajju's true identity, hell breaks loose and they seek the help of the deadly Wanted Bhai (Naseeruddin Shah) in order to eliminate Ajju. Things take an unexpected u-turn when they realize that Wanted Bhai's only son (Shiney Ahuja) is not just a drug addict, but also blindly in love with Ranjhana. Will the 'still-bachelors' Uday and Majnu ultimately find love, will they ever discover Maharani and Chandni's true identities, will it be Ajju or Wanted Bhai's son who will win over Ranjhana and a comedy of errors is what forms the rest of the film. Performance wise Anil Kapoor is simply outstanding as he looks so funny and dashing at the same time. His comic timing is bang on and Nana Patekar also scores big time with his straight face comedy. But sadly rest of the cast is completely out of sort; John Abraham fails miserably in comedy, Shruti Haasan sleepwalks, Dimple to Naseeruddin to Shiney Ahuja to debutant Ankita Shrivastava - all are big bore. Surveen Chawla and Lauren add no spark in cameos. Film has similar plot like its prequel but screenplay has some really funny situations but then it is too much stretched in 2nd half. Watch out for climax and 'antakshari' in cemetery! Dialogues by Raaj Shaandaliya are hilarious. Film has below par editing by Steven Bernanrd. Music is pathetic. Cinematography is good and production design is poor. Cinematography is tacky.
Director Anees Bazmee presents a decent old school slapstick comedy but poor presentation, misfit lead pair and bad music hurt the film badly. Film will release today and it will get average to poor reviews and but it should still score decent numbers over weekend due to sequel advantage and mass appeal. Though it will not be a huge hit but should be a decent one at box office.
Go for this one for Anil Kapoor and Nana! | ||
